Time Loops and Interpretation
Writers often draw on dreams for their inspiration, and those dreams are often precognitive, foreshadowing upheavals in the writer’s future. It means that literature may often be prophetic, and that standard critical approaches focused solely on an author’s prior influences or present life context are inadequate to fully understand the miracle of literary creation.
This exercise in “psychic deconstruction” examines the works and lives of six imaginative (and in most cases, dream-inspired) writers: Samuel Taylor Coleridge, Mary Shelley, J. R. R. Tolkien, Stanislaw Lem, Joan Lindsay, and Franz Kafka. Wargo shows that some of their greatest masterpieces—Coleridge’s Kubla Khan and Tolkien’s The Hobbit, for instance, as well as Kafka’s The Metamorphosis and The Trial and Lindsay’s beloved Australian classic, Picnic at Hanging Rock (the basis of Peter Weir’s 1974 film, below)—were premonitions of how the author would look back upon their work or career in hindsight: with longing, curiosity, regret, or often some mix of emotions. The most dazzling and original inventions of the literary imagination, from the monster in Shelley’s Frankenstein to the magical beings and objects of Middle Earth or the inscrutable intelligences in Lem’s novels about alien contact, like Solaris, are really strange, biographical time loops preserved in amber.
Eric Wargo has a PhD in anthropology and is the author of several books on time, the unconscious, and creativity, including From Nowhere, Precognitive Dreamwork and the Long Self, and the acclaimed Time Loops. He also writes about science fiction and parapsychology at his popular blog, The Nightshirt.
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